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Thursday, September 15, 2011
Friday, September 9, 2011
"McClatchey ready to put disputed photograph in the past" - Daily American
Comments about this article below.
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McClatchey ready to put disputed photograph in the past
September 9, 2011
Val McClatchey stands with Phyllis Musser, left, while holding McClatchey's photo titled, "End of Serenity." Musser owns the red barn captured in the photo.
Life changed in a single camera click on Sept. 11, 2001, for Somerset County resident Val McClatchey.
McClatchey’s infamous photo captured a mushroom cloud from the crash site of United Airlines Flight 93 rising above a red barn and the rural Western Pennsylvania landscape. For nearly 10 years McClatchey’s photo, which she titled “End of Serenity,” was the earliest known image captured following the crash, until a video surfaced earlier this week.
The video, taken by the late Dave Berkebile, of Berlin, shows a cloud of smoke rising from the crash site. McClatchey herself had known about the video, and even had a copy, since the 5th anniversary of Sept. 11, 2001.
“I had a message from my husband saying, ‘you’re not going to believe this,’” McClatchey said. She said Berkebile gave her the video when he heard the authenticity of her photo was being criticized.
“He said, here’s your proof,” McClatchey said. The video was kept private until McClatchey gave it to the National Park Service for an oral history leading into the 10th anniversary of Sept. 11. She donated it on behalf of Berkebile who died in February.
For McClatchey, the video lends further credibility to her photo. The photo, time stamped at 10:05 a.m. Sept. 11, 2001, and shot on her Hewlett-Packard 315 point-and-shoot, has been a subject of controversy since it was taken.
During the years, conspiracy theorists and bloggers have shown up on her doorstep harassing her, and bloggers have smeared her name on the Internet.
“Google my name and I’m a fraud,” she said.
McClatchey holds a copyright on the photo, prohibiting its use. She’s written complaints to Google asking that they remove her photo from Internet sites, but those complaints have come to no avail.
“I provided documentation and proof that (Internet sites) violated the terms of use of the copyright,” she said. “But who am I to take on Google?”
McClatchey was also involved in a lengthy lawsuit with the Associated Press over their use of the photo. The lawsuit resulted in a settlement.
“The result of the lawsuit was anything but a success,” she said. “When all was said and done, we were in the red.”
McClatchey describes the photo as a mixed blessing. She admitted that there have been times when she wishes she hadn’t taken it.
“I was meant to do it for a reason, even if I don’t know that reason yet,” she said. “I’ve had some great experiences.”
Her photo hangs in the Smithsonian Institute in Washington, D.C., and will soon hang at the Flight 93 National Memorial. After the 10th anniversary of Sept. 11, 2001, this weekend, McClatchey said she’s looking forward to moving on.
“Everything’s going to be packed up and put away,” she said. “It’ll be pretty much over.”
She does plan to make one more public appearance, however, in 2012. Her photo will be displayed at the National September 11 Memorial & Museum in New York City.
http://www.dailyamerican.com/da-ot-mcclatchey-ready-to-put-disputed-photograph-in-the-past-20110909,0,3182174.story
First, notice the vast difference in quality of the photo taken by the DailyAmerican reporter versus Val's photo taken with a 10 yr old HP 315 point-and-shoot digital camera.
See here about the suspicions of the newly released Dave Berkebile video that supposedly vindicates Val's photo.
It says the timestamp on her photo is at 10:05 am. Officials are saying Val took her photo approx 5 seconds after the alleged Flight 93 impact. I wouldn't make too much of this since times on a camera are input manually, so a camera's internal time could easily be off due to human error.
Now here's where it gets into some very misleading statements. No one I've heard has "shown up on her doorstep" regarding her photo controversy. The only people I know who meet her in person were Victor Thorn and Lisa Guliani, who called and made arrangements with Val to meet with her at her business, in which they said Val was all to willing to meet and discuss her photo with them. At the time of this arranged meeting, Victor and Lisa assumed the photo was real, but thought Val had accidentally taken a photo of an ordnance blast instead and that's what they wanted to discuss with her. They said Val's demeanor turned sour and hostile after this.
About "smearing her name on the internet," is questioning someone's photo smearing the photographer's name? As to Val saying google her name and it says she's a fraud, go ahead and do that and decide for yourself if it says that. In the first mainstream article by the PostGazette that reported about her photo controversy, the yellow journalist reporter made it look like I was calling her a fraud by saying the following in the article: "On a simple Google search, Mrs. McClatchey's name now pops up in the same sentence as 'total fraud.'" Let me remind everyone what the title of my original photo controversy blogpost said: "Val McClatchey Photo: More Smoking Guns, or Total Fraud?" They all seem to forget the word "photo" was in my title.
The thing about Val claiming she was in the red after her AP lawsuit, just like her claim that all her profits from her photo sales were forwarded to the now-defunct Todd Beamer Foundation via the honor system, we only have Val's word to go by because there has never been a paper trail. Open your books, Val!
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Monday, September 5, 2011
'Vindication' smoke cloud video finally surfaces
Labels:
Berlin_PA
,Dave_Berkebile
,video
- Video shows Flight 93 aftermath
- Home Video Shows Flight 93 Crash Site
- Ten Years Later: New Video Of Flight 93 Aftermath Surfaces
- Ten years after 9/11, Flight 93 gets due attention
Back in 2007, Val McClatchey had reportedly showed an amateur video taken from Berlin, PA to a group at the 2007 Shanksville memorial reunion that supposedly showed the aftermath of the alleged Flight 93 crash explosion and, thereby, "vindicating" her infamous "End of Serenity" smoke cloud photo.
Ten years after 9/11, this video has finally surfaced:
Ten years after 9/11, this video has finally surfaced:
Flight 93 crash site video surfaces
September 3, 2011
SHANKSVILLE — As the 10th anniversary of the Sept. 11 attacks approaches, a video shot just minutes after the crash of United Airlines Flight 93 has surfaced.
While the video does not show the moment of impact, it clearly shows a mushroom cloud rising from the site of the crash at an abandoned strip mine near Shanksville.
The voice of Berlin resident Dave Berkebile, now deceased, can be heard speaking calmly in the background.
“This is the remains of an airplane crash over on Lambertsville Road,” he said. “Probably a terrorist bomb on board that blew up.”Berkebile said the crash “shook the heck out of the house ... A great, big, black cloud just mushroomed right up into the air.”
Dave Berkebile, now deceased, who shot video of the Flight 93 crash scene, is shown with his wife, Cathy.
Then he added: “I wonder if there is anything left of Lambertsville.”Donna Glessner, who is collecting oral histories for the National Park Service, saw the video and said she believes it is the earliest known video of the crash.
Val McClatchy of Indian Lake, who took the first known photo of the Flight 93 crash, watches a video shot moments after the crash.
“I thought it was just a very important historic piece,” she said.
“No one else has a video of that smoke cloud.”At the time of the crash, Berkebile and his wife, Cathy, lived on Blue Bird Road.
Although he passed away in February, his wife, who has since moved out of the state, spoke about events that day.She said a video camera was kept at easy access to shoot vistas from their home, which was situated on 40 acres.
“My family lives in the city,” she said. “They had never seen the mountains. Up there on my mountain are the most beautiful sunrises and sunsets. Also snowstorms.
“So I kept the video camera all charged up so I could go out and shoot anything gorgeous to show my family.”
Berkebile said their initial thought when they heard the explosion was that it was dynamite.
Although the distance between their home and the crash site is 8 miles by road, it is just 2 1/2 miles by air and Berkebile said they had an unobstructed view of the skies above the crash site.
“Everything was totally visible and he had the presence of mind to grab (the video camera) and go running out the door with it.”
http://tribune-democrat.com/local/x1095936052/Flight-93-crash-site-video-surfaces
Note that a comment left by Dave's sister in the article's comment section says the actually street location that the footage was taken at in Berlin, PA was Bluebird Lane, not Blue Bird Road:
Diane Deist wrote:
Hello, I am Dave Berkebile's sister. Our two homes are the only ones on Bluebird Lane. I saw it was listed as Blue Bird Road in my morning paper. Yes, that was an exciting morning, When my home shook from the impact, I immediately called Dave and asked him if his house shook, He said yes, 'What was that?' I said it must have been an earthquake! Then he saw the smoke to the NW and said'Look out your big window!' I turned on my scanner and heard a large plane went down in Lambertsville, when he heard this he said'I'm going to see.' I left right after for the Shanksville School where I had two grandchildren enrolled. When Dave returned, he said all he saw was a big hole in the ground. Thank you .
September 4, 2011, 7:43 PM
The article also says that the distance between the Berkebile's house and the crater is 2 1/2 miles by air, but according to Google Earth, the distance is about 5.8 miles.
Let's analyze the Dave Berkebile video. It shows the following:
- a large trailing grey-colored smoke cloud
- looks to be originating where the crash supposedly happened
- smoke trail looks to be drifting east toward Bedford
On the surface, the video does look consistent with Val's photo and the official story, so this should be enough to vindicate Val McClatchey's mushroom cloud photo, right?
Well not so fast.
I think everyone's first and immediate question about this video is why did it take 10 years for this video to surface? Well get this:
“No one else has a video of that smoke cloud,” said Glessner. “As far as I know it has not been shown or broadcast anywhere.”
~
The video will be available at the crash scene’s Flight 93 National Memorial, which is being dedicated Saturday as part of the 10th anniversary remembrance of 9/11.
Berkebile’s wife, Cathy, said her husband initially offered to show the video to news outlets covering the Flight 93 story, but no one was interested in looking at it.
What? The media back then weren't interested in looking at a video of major historically significance??? Now that one is just a little too hard to swallow.
Reminds me of another::
Reminds me of another::
Val McClatchey snapped the single picture with her new digital camera.
~
"I didn't even aim. I was just like, 'Oh, my God,' " she said. She dropped the camera, jolting the battery loose, then tried in vain to call her husband, son and daughter.
Next, you would think that this video was released by Mr. Berkebile’s wife, or other family member. Nope. Guess who of all people?
Five years ago, [Mr. Berkebile] gave the 1 minute, 38-second video to Val McClatchey, the woman who shot the only still photograph of Flight 93’s haunting, skyward aftermath.
McClatchey recently donated the video to the National Park Service for an oral history of 9/11.
The reason Mr. Berkebile allegedly gave it to Val was . . . because of me:
McClatchey recently donated the video to the National Park Service for an oral history of 9/11. She had endured years of harassment from conspiracy theorists who believe Flight 93 was shot down by U.S. military jets and that her photo was a fake.
~
So, she added, he kept it to himself until he read in the Johnstown, Pa., Tribune-Democrat about the conspiracy controversy surrounding McClatchey’s photo. That’s when he decided to give her the video to validate her mushroom cloud picture, dubbed “End of Serenity.”
“We never considered it might be important (until then),” said Mrs. Berkebile.
They never considered it might be important until then??? Did they not know they had the only alleged video of the smoke cloud? Apparently they did when earlier in the article Mrs. Berkebile said her husband initially tried to bring it to the attention of the media.
(Correcting the article, "we" don't think Flight 93 was shoot down. We think it didn't crash and the scene was staged.)
There are some points about this video that are suspicious:
- Mr. Berkebile supposedly filmed this about 6 miles away. The large smoke trail should have been able to be seen from at least double that distance, yet Val McClatchey and Dave Berkebile were supposedly the only ones who filmed the smoke cloud within a 12-mile radius.
- The Berkebile's supposedly went to the "crash" scene immediately after Mr. Berkebile shot the video. He forgot the take his camcorder with him???
- We can't question Mr. Berkebile about his video because he "died suddenly" earlier this year in February and it doesn't help that he was a lifetime member of a Mason lodge.
We also must question how could a large smoke cloud even form at all and I'm not talking about because I think no plane crashed there, but even according to the official Flight 93 crash story?!
The way Flight 93 supposedly crashed was when it was on its side, or upside down (which ever official version you choose to believe), its wingtip hit first causing the 757 to begin to cartwheel. The plane's front end slammed down on the ground next causing the cockpit section to "break off" and shatter into the woods and field. The rest of the plane on back (one quote claiming 80%) then buried deep into the ground.
The ground was reportedly still "loose and uncompacted" and immediately fell back in on itself, affectively self-sealing the hole and plane:
- "The plane had pierced the earth like a spoon in a cup of coffee: the spoon forced the coffee back, and then the coffee immediately closed around the spoon as though nothing had troubled the surface. Anything that remained of Flight 93 was buried deep in the ground." - Lisa Beamer
- The cockpit and first class shattered like the point of a pencil, and remnants sprayed into a line of hemlock pine trees. The fuselage accordioned on itself more than thirty feet into the porous, backfilled ground. It was as if a marble had been dropped into water. - Author Jere Longman
- Veteran FBI agent Michael Soohy had been to airplane crash scenes before, and he thought he knew what to expect: chaos, bodies, a hulking wreck of a jet.
"I don't think anyone expected to see what they didn't see," said the 50-year-old who grew up near Johnstown. "It's almost like a dart hitting a pile of flour. ... The plane went in, and the stuff back-filled right over it."
And the 757 supposedly went in the ground so fast it didn’t have a chance to burn.
And never mind that the grassy field that hardly shows any signs of fire damage:
(See more "crash" scene photos here.) |
And as that small section of forest that got fire damaged, the part of the plane that would have caused this was the snapped off cockpit section and I don't know what's in a 757's front end that would even cause an explosion.
There are also witnesses who seem to contradict that there was a large smoke cloud:
- Larry Williams, a retired Pa. State Trooper, was playing golf about 9 miles away from the crater when he saw a commercial airliner fly by and bank on its side until it dipped below the skyline. In his interview, he never mentions hearing an explosion, seeing a fireball or even a smoke trail.
- Paula Long: “I never saw that smoke,” Paula Long, an eyewitness, told AFP. Long ran “immediately” after hearing the crash but did not see the cloud of smoke caught in the now-famous photograph by Valencia McClatchey, she said.
- Unidentified female witness: "...and it was fairly low. It wasn't treetop low, but it was lower than it should have been. And like I said it was cocked like it had been turning to the left. And, just in a nose dive position once it cleared the tree tops I couldn't see it no more. And then when I got out to [Hwy] 30 is when I seen the big puff of smoke, and-- I even had thought to myself that there should have been more smoke than that whenever it crashed cause the jet was extremely big."
And don't forgot the explosive phone call to witness Kelly Leverknight:
Jeff: Val McClatchey... she has a famous photo.
Ms. Leverknight: It was a fake photo, because it didn't have a mushroom cloud.
Jeff: It what?
Ms. Leverknight: There was no mushroom cloud.
Jeff: So it was a fake photo?
Ms. Leverknight: Yeah.
Jeff: Her photo's faked?
Ms. Leverknight: Yeah.
Jeff: For what? For money?
Ms. Leverknight: Yeah.
Jeff: Why, do you know that for sure?
Ms. Leverknight: Yeah!
And lastly, the color of the smoke plumes in both the Val McClatchey photo and Dave Berkebile video are reminiscent of grey-colored ordnance blasts, not black-colored jet fuel fires.
I don't know about you, but I'm declaring shenanigans on this video.
More links to this video story:
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Retired trooper saw 'Flight 93' fall, never mentions explosion or smoke trail
Labels:
Larry_Williams
This is an eyewitness account by retired Pa. State Trooper, Larry Williams. He was playing golf the morning of 9/11 at the Oakbrook Golf Course in Jenners, PA, about 9.25 miles NW of the crater according to GoogleEarth.
He talks about how he heard and saw a commercial plane, being able to see the windows on the side, then seeing the plane nose-up, then bank on to its side before he lost it over the skyline.
After, he and his golf buddies speculated if it was in trouble and wondered if it had landed at the small airport in Indian Lake. Finishing his round, he saw police emergency vehicles going East on Rt 30, then saw a state police helicopter fly by.
When he was back at the parking lot, his friends came out of the Club House and told him that plane had crashed in Shanksville.
At no time in the interview did Mr. Williams mention hearing an explosion, seeing a fireball, or any resulting smoke trail.
Source URL: https://0832zy.blogspot.com/2011/09/
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Saturday, September 3, 2011
The BBC's Instrument of 9/11 Misinformation
The BBC's Instrument of 9/11 Misinformation
Jim Fetzer (with Joshua Blakeney)
The BBC's "Instrument"
For a second time, the BBC television network has produced a documentary about 9/11 featuring Dylan Avery, the producer of “Loose Change”’; Alex Jones, the talk show host; and me, the Founder of Scholars for 9/11 Truth—this time accompanied by Neils Harrit, a chemistry professor from Denmark. The program is part of the BBC’s “Conspiracy Files” series. The first installment is available here. This one, now entitled, “The Conspiracy Files: '9/11: Ten Years On'”, was initially accessible at the following link: http://www.youtube.com/watch?v=oV_R70Qo8Zc&feature=share Interestingly, not long after it had been posted, the “user” had it removed from YouTube, which is not an effective method for disseminating your message. Presumably, it will soon be up and running again, which we will archive and then link to this column.
The inclusion of Neils Harrit is especially striking, since he was the lead author on the nanothermite study published in the Bentham Science Open Chemical Physics Journal, which T. Mark Hightower and I have discussed in several articles here at VT, including "Is '9/11 Truth' based upon a false theory?" and “Nanothermite: If it doesn’t fit, you must acquit”. Since I believe there are real problems with (what Mark Hightower and I have called) “the myth of explosive nanothermite”, the BBC may have missed an opportunity to pit us against one another. Neil's statements about the use of nanothermite, however, have actually been more responsible than those that have come from and been supported by the "hard science" group. So the focus of this discussion will be on some of the more blatant problems with “9/11: Ten Years On”.
Here I (and Joshua Blakeney) will offer several striking illustrations of the BBC’s "sleight-of-hand" in misrepresenting key points that I explained to Guy Smith and to Mike Rudin, which they cannot possibly have misunderstood, where cases like these leave no doubt of that the BBC in its “Conspiracy Files” series functions as an instrument of disinformation. We will also cite examples that exemplify other especially notable demonstrations that the BBC’s duplicity is not limited to its presentation of ersatz documentaries like these but extends into its reporting of news as it happens, which we illustrate with Jane Standley’s premature reporting of the collapse of WTC-7 on 9/11 and the introduction of Richard Clarke’s efforts to revive the indefensible theory that “9/11 was due to incompetence”.
With the BBC for a 2nd round
[NOTE: I use the first-person pronoun to accent that “I was there” and know these things based upon my “up close and personal” experience, but I am grateful to Joshua Blakeney for his contributions here, especially relative to the so-called “Global War on Terror”. Joshua recently drew to my attention a seminal text edited by Benjamin Netanyahu entitled Terrorism: How the West Can Win (1986), which we discussed during our two-hour interview on my 31 August 2011 radio show (and will be archived at http://radiofetzer.blogspot.com/). I agree with Joshua that this book appears to be offering a blueprint for the “Global War on Terror” already in 1986, which should quality as a central piece of evidence about the true origins of that war and a hint of whom it most benefits. (A version of this article with active links can be found here.)]
BBC’s “Conspiracy Files”
This was my second encounter with the BBC, whose director, Guy Smith, came to Madison and interviewed me for eight hours for its previous segment on 9/11, which also featured Dylan, Alex, and me. This segment has also been archived at http://www.youtube.com/watch?v=lMyKhVwj6GI&feature=related, where there can be little doubt that the BBC is attempting to trade in stereotypes and that Dylan is supposed to be the obnoxious kid, Alex a messianic preacher, and me the kooky professor. While some may even agree, especially about me, this is an obvious attempt to suggest the only possible reasons that anyone would dissent from the “official account” of 9/11 are emotional needs or cognitive impairments. The 9/11 movement is actually highly eclectic with members of varied backgrounds and qualifications. That we might actually be right and the official account wrong was tacitly denied.
During both interviews, I presented literally dozens and dozens of arguments about why the “official account” of 9/11 is not only indefensible but actually violates laws of physics, engineering and aerodynamics. The fires burned neither hot enough nor long enough to have caused the steel to weaken, much less melt. WTC-7 displays all the features of a classic “controlled demolition”. There is no evidence that a Boeing 757 crashed in Pennsylvania and clear and convincing proof that the Pentagon “hit” was a fabrication, which appears to include the flyover by a plane simulating Flight 77 at the same time as the detonation of explosions. Later in the day, the Hollywood-style production of billowing black smoke from fires deliberately set in a series of dumpsters was deployed in order to intimidate the members of Congress. (See “Seven Questions about 9/11”, Veterans Today.)
Michael Shermer at Lethbridge
For the first show, the BBC extracted about 7.5 minutes they wanted to use from my interview, which it combined with about 4 minutes of Alex and 3.5 minutes of Dylan. The rest of the program was used to misrepresent and undermine what we had told them, where logic and evidence were not their concern. By offering psychoanalyses of 9/11 skeptics, rather than engaging the evidence that refutes the official story of 9/11, the makers of the BBC’s 9/11 documentary harnessed the same tactics employed by journalist Jonathan Kay, author of Among the Truthers (2011), and by Michael Shermer, an ersatz-professor, who was exposed for having mischaracterized his credentials by Anthony Hall and Joshua Blakeney. Their focus was upon the psychology of beliefs that are, according to their point of view, not merely weird but even bizarre—which is certainly true, unless you take a serious look at the evidence. (See “Why doubt 9/11?” for 20 counter-examples.)
The Ground Floor “Hit”
The Pentagon is an especially nice example, where I explained in both interviews that the alleged “hit” point is on the ground floor and not the second as has often been alleged. Both programs, nevertheless, misrepresented its location by using photos of the second floor, which has to have been intentional, given that I had explained this point to Guy Smith and to Mike Rudin during their separate visits. They even use animations of this inaccurate location in their animations of its occurrence, which is inconsistent with the photos that are presented correctly in both “What didn’t happen at the Pentagon” and in “Seven Questions about 9/11”.
The second floor "hit point"
It makes an enormous difference to understanding what happened there, since, at the ground-floor location, we find a chain-link fence, two huge spools of cable, two somewhat damaged cars and unbroken windows beside and above the entry hole, which is only about 10’ high and 16-17’ wide—far too small for a 100-ton airliner that is 155’ long with a 125’ wingspan, and a tail that stands 44’ above the ground. There is no debris: no wings, no tail, no fuselage, no bodies, seats or luggage. Neither of the virtually indestructible engines was recovered. But the fact that this mass of debris is missing is obfuscated by the simple but effective technique of presenting the wrong photos. You have to admire the elegance of the plan.
The ground floor "hit point"
It has been said that the absence of evidence is not evidence of absence, which is true—except in those cases where it is false. If you were to inspect the living room of your home, for example, the absence of evidence of the presence of an elephant would properly qualify as evidence of the absence of an elephant from your living room. Similarly, the absence of evidence that a plane—in particular, a Boeing 757—crashed at the Pentagon is evidence that no Boeing 757 crashed there. So one of the most important indications of BBC duplicity is that, although I had explained to Guy Smith and to Mike Rudin that the actual “hit point” was on the ground floor, they continued to use images of the second floor in their work.
The clear, green lawn
The unblemished lawn
Think of the simplicity of the deception involved here. Have your target speak about the hit point (where he is talking about the ground floor “hit”) but present images of another location (as if that were what he was actually discussing). And it is a technique that can be used again and again. During both interviews, I also emphasized a photo that was taken even as the civilian lime-green fire trucks were extinguishing the very modest fires, which shows a completely clear, green, unblemished lawn, entirely free from debris of any kind. You can see that the upper portion of the building has not yet collapsed, which means it was not the effect of the alleged impact. This collapse appears to have been contrived to enhance the apparent damage to resemble more like what a hit might have caused.
Debris begins to appear
In this case, the BBC contracted the time line and claimed that the upper floors had collapsed “within minutes” of the hit, showing images of building AFTER the collapse. Since 25-30 minutes is “within minutes”, there was a flimsy pretext to justify using that phrase. But there is now considerable debris in the foreground and the lawn is no longer pristine. The effect, once again, was to use my voice explaining what is visible in the photo that I was discussing but juxtaposed with film from the subsequent collapse of the upper floors that I was not discussing, which was clearly intended to convey the impression that I did not know what I was talking about—a simple but effective technique, which they employed repeatedly.
Inadvertent confirmation
Ironically, some of the BBC's own footage substantiated my observations about the completely clear, green, unblemished lawn, entirely free from debris of any kind. But it would have taken a discerning viewer to overcome the emphasis imparted by the soothing, confident voice of the BBC's commentator, who conveyed the impression of objectivity and impartiality while nevertheless debunking what I had said in nuanced and subtle ways. That this footage actually appeared in this documentary came as a surprise to me, once I had sorted out their technique of implicitly contradicting what I had to say by the presentation of images other than those that I was addressing, since this one actually confirmed what I had explained.
Lt. Col. O'Brien and the C-130
More debris shows up later
The difference between the originally clear, green and unblemished lawn, which was free from debris, and the subsequent appearance of debris across a broad swath of the Pentagon lawn led me to speculate as to its origins. It would have been awkward and obvious to have enlisted men and officers carry debris out onto the lawn. It had to have been done in a more subtle fashion. A C-130 had been circling the building, which led me to consider the possibility that perhaps the debris had been dropped from the plane, where its settling down from above would be something that many observers might regard as an effect from the hit, where it would not be unexpected for at least some debris to have been airborne.
So the BBC featured Lt. Col. O’Brien, USAF, who was presented as the captain of the C-130, who feigned to be disgusted with the implication that he could have been involved in the cover-up by having debris dropped from his plane. Since it was circling as the allegedly hijacked plane approached the building, it appears to be a good question why the Pentagon was surprised by the hit. Surely the Lt. Colonel could have warned them, insofar as he reported that he had watched its approach. Apparently, the evidential value of his claiming to have seen the plane outweighed the implied admission that he had failed to warn his superiors, since all sides alleged that the Pentagon had no idea it was going to be hit—when the plane would most certainly have been shot down, had such a warning occurred.
The pilot of the C-130
If there is a better explanation of the source of the debris, what could it possibly be? Those who harbor lingering doubts about the role of the BBC as a purveyor of disinformation should study these photographs and compare them to “What didn’t happen at the Pentagon?” and “Seven Questions about 9/11”. Then watch the show, when it is accessible again—perhaps in a new version in response to the public’s reaction to the original, which I am discussing here. We all have to appreciate the role of the mass media in distorting 9/11, where the phrase “info wars” has been used by Alex Jones to convey exactly the right impression. And this is not the first time that the BBC has been "caught with its pants down”, since an earlier and possibly even more spectacular illustration occurred on 9/11 itself.
Jane Standley on WTC-7
Jane Standley with WTC-7
One of the most remarkable events of the day of 9/11 was the premature report by Jane Standley of the BBC that “the Solomon Brothers Building”—another name for WTC-7—had collapsed, which of course did happen that day, but she claimed it had happened at 4:57 PM/ET, when in fact that did not occur until 5:20 PM/ET, 23 minutes later! This has to be one of the most stunning illustrations of the dual role of the mass media in presenting news as it happens but with a spin dictated by the intelligence assets and the government agencies who control access to what the public is going to see and hear. Since WTC-7 can actually be seen over her left shoulder (to the right as a viewer watches her presentation), there can be no doubt that the BBC got “ahead of the script”, which may even be the single most glaring example of complicity between MI-5 and the BBC in the nation’s history.
A most unusual "collapse"
Another example of the spin that the BBC was offering in its “Conspiracy Files: '9/11: Ten Years On'” program, is that, toward its conclusion, Richard Clarke, the Bush/Cheney administration’s “anti-terrorism” expert, attempts to revive the long-discounted theory that these attacks occurred only because of incompetence by the agencies who were responsible for protecting the country from terrorist attacks like these, including communication and cooperation failures by the CIA and the FBI. But this theory cannot account for the physical impossibility of the Twin Towers to have been destroyed by the purported plane crashes, the resulting (very modest) fires, and the weakening of the steel, none of which—even had they happened as the official account proclaims—could have brought about the complete, total, and abrupt demolition sequence that would occur, which can be viewed relative to the North Tower in “New 9/11 Photos Released”, for example, on my blog.
Three "Dancers" on TV
9/11 was clearly cleverly planned, including a variety of false leads, some of which were discernible in the original broadcasts from the networks that day. As Preston James and I explain in “Peeling the 9/11 Onion: Layers of Plots within Plots”, the first suggestions presented by the media were intended to lay blame on Palestinians, of which we have three major indications: the image of cheering Palestinians broadcast as these events were unfolding; anchors reporting that “The Democratic Front for the Liberation of Palestine” was claiming credit; and the statements to the officers arresting the “Dancing Israelis” in their white van from Urban Moving Systems, a Mossad asset, whose driver said, “We are Israelis. We are not your problem. Your problems are our problems. The Palestinians are your problem.” That was hokum then and remains hokum now, where three of the five would return to Israel and explain on TV that they were there “to document” the destruction of the Twin Towers, which obviously implies prior knowledge that it was going to occur.
The “Global War on Terrorism”
The BBC’s propaganda for the 9/11 wars largely rests on the empirically flawed-assumption that there is a disproportionate threat posed to citizens of the U.S., Britain, Canada and elsewhere by Islamist terrorists. Yet, data posted on the FBI’s official website demonstrates that actual cases of Islamic terrorism are rare, making it a virtually negligible phenomenon. According to FBI statistics, between 1980 and 2005, for example, only 6% of reported terrorist acts in the U.S. were committed by Muslims, compared to 7% by Jewish extremists, 42% by Latino extremists, and 24% by extreme right-wing groups (sometimes misidentified as “left wing”, but including local and state-wide militias). The BBC has been highly instrumental in reinforcing the falsehood that Islamists were responsible for the events of 9/11, which in turn justifies their scrutinizing of Muslims at home and abroad. Bear in mind that, if there were no planes to hijack, there would have been no hijackers, and if there were no Islamic hijackers, then 9/11 could not have been used to justify the “War on Terror” and a “clash of civilizations” pitting the Judeo-Christian West against radical Islam.
Elias Davidsson has demonstrated that the American government has not been able to prove that any of the alleged hijackers were aboard any of these planes, where Flight 11 and Flight 77 were not even scheduled to fly that day. The BBC has done its part by persistently covering-up evidence demonstrating that those alleged hijackers engaged in egregiously un-Islamic activities in the months prior to 9/11, including snorting cocaine, attending strip clubs, eating pork and drinking Vodka. These activities imply that either they were not Muslim at all or, at least, if they were, they were not devote Muslims and therefore most unlikely to engage in fanatical acts on behalf of their religion. Suicidal hijackings are not the kind of actions we would expect from Muslims who take pleasure in strip shows, eating pork and snorting coke! As the phrase has it, “What’s wrong with this picture?”
Blueprint for the "War on Terror"
Wayne Madsen has released British intelligence documents purporting to prove that “the Israeli Mossad ran the Arab hijacker cells that were later blamed by the U.S. government’s 9/11 Commission for carrying out the aerial attacks on the World Trade Center and Pentagon”, which is very plausible, given what we know about the motives that appear to have contributed to its planning and execution, which involve oil, Israel, and ideology, which were interrelated. Reconfiguring the Middle East through the implementation of the Sharon Doctrine could then result in the construction of a pipeline through Israel to the Mediterranean Sea —which it could tap to solve its energy needs—and facilitate the despoliation of Iraqi oil. Taking out Saddam Hussein and converting Iraq into smaller states (or "statelets") based on ethnic and religious sectarianism, moreover, appears to be part and parcel of a master plan for the destabilization of the Middle East to create a new reign of Israeli supremacy and domination.
What does it mean?
Reluctance to report well-documented Israeli involvement in 9/11 may explain the metamorphosis of the once highly respected BBC into a propaganda organ of the Likudnik right and its allies. The network, officially an agency of the British state, lost many of its best reporters as a consequence of the BBC’s role in dealing with reports about and the subsequent death of Dr. David Kelley. Its erstwhile Director General (DG), Greg Dyke, appears to have been ousted and replaced in 2004 by the highly pro-Israel Mark Thompson, who, upon assuming office, made a trip to Israel with his Jewish wife to work out with Ariel Sharon the “softening” of the BBC’s editorial line about the State of Israel. A nice indication of the BBC’s pro-Israel bias, by the way, was its refusal to allow a “Gaza Appeal” phone-line number to be broadcast during the 2008-2009 massacre in Gaza. With 9/11 being used primarily to facilitate the epochal process identified by sociologist James Petras as “The Globalization of Zionist Power”, the BBC’s infiltration by likely Mossad affiliates makes perfect sense. Thompson is now the highest paid public servant in Britain—and he influences the BBC to support the “Global War on Terror”.
Explosions and dead bodies in WTC-7
In doing research about the BBC and its “Conspiracy Files” series, I discovered a web page devoted to “Conspiracy Theories”, in which five familiar arguments are presented and then “debunked”. To offer one instructive example, it dismisses concerns about WTC-7 arising from Larry Silverstein’s use of the phrase, “pull it”, and the alleged ground that he was actually requesting that firemen be “pulled” from the building. Not only were there no firemen in the building at the time, but “pull it” is a term of art in the construction business. Barry Jennings was actually in the building that morning and witnessed explosions taking place to prime it for demolition. It appears to me that any source that promotes falsehoods as blatant as these about 9/11 is unworthy of belief—which we now know includes the BBC!
The BBC’s own attempt to debunk “conspiracy theories” has had an unexpected and mildly encouraging effect. More than 700 comments were posted before the comments were closed, where I found many reflecting genuine understanding of the role of the BBC in promoting false information about 9/11. As we have found, in its biased documentaries about 9/11, its live reporting at the time, and even on a web page it has published to debunk those who are speaking the truth, the BBC has abandoned its commitment to objective and independent journalism and has become a shill for false theories and government ops. More is the pity, because it once stood as a beacon of truth that was widely admired around the world, which, as we have seen, can no longer be said on behalf of this once-great UK institution.
Jim Fetzer, McKnight Professor Emeritus at the University of Minnesota Duluth, is a former Marine Corps officer and the founder of Scholars for 9/11 Truth.
Joshua Blakeney is a Staff Writer at VT, a 9/11 activist, and a graduate student at the University of Lethbridge working on a thesis entitled, “The Origins of the Global War on Terror.”Source URL: https://0832zy.blogspot.com/2011/09/
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Jim Fetzer (with Joshua Blakeney)
The BBC's "Instrument"
For a second time, the BBC television network has produced a documentary about 9/11 featuring Dylan Avery, the producer of “Loose Change”’; Alex Jones, the talk show host; and me, the Founder of Scholars for 9/11 Truth—this time accompanied by Neils Harrit, a chemistry professor from Denmark. The program is part of the BBC’s “Conspiracy Files” series. The first installment is available here. This one, now entitled, “The Conspiracy Files: '9/11: Ten Years On'”, was initially accessible at the following link: http://www.youtube.com/watch?v=oV_R70Qo8Zc&feature=share Interestingly, not long after it had been posted, the “user” had it removed from YouTube, which is not an effective method for disseminating your message. Presumably, it will soon be up and running again, which we will archive and then link to this column.
The inclusion of Neils Harrit is especially striking, since he was the lead author on the nanothermite study published in the Bentham Science Open Chemical Physics Journal, which T. Mark Hightower and I have discussed in several articles here at VT, including "Is '9/11 Truth' based upon a false theory?" and “Nanothermite: If it doesn’t fit, you must acquit”. Since I believe there are real problems with (what Mark Hightower and I have called) “the myth of explosive nanothermite”, the BBC may have missed an opportunity to pit us against one another. Neil's statements about the use of nanothermite, however, have actually been more responsible than those that have come from and been supported by the "hard science" group. So the focus of this discussion will be on some of the more blatant problems with “9/11: Ten Years On”.
Here I (and Joshua Blakeney) will offer several striking illustrations of the BBC’s "sleight-of-hand" in misrepresenting key points that I explained to Guy Smith and to Mike Rudin, which they cannot possibly have misunderstood, where cases like these leave no doubt of that the BBC in its “Conspiracy Files” series functions as an instrument of disinformation. We will also cite examples that exemplify other especially notable demonstrations that the BBC’s duplicity is not limited to its presentation of ersatz documentaries like these but extends into its reporting of news as it happens, which we illustrate with Jane Standley’s premature reporting of the collapse of WTC-7 on 9/11 and the introduction of Richard Clarke’s efforts to revive the indefensible theory that “9/11 was due to incompetence”.
With the BBC for a 2nd round
[NOTE: I use the first-person pronoun to accent that “I was there” and know these things based upon my “up close and personal” experience, but I am grateful to Joshua Blakeney for his contributions here, especially relative to the so-called “Global War on Terror”. Joshua recently drew to my attention a seminal text edited by Benjamin Netanyahu entitled Terrorism: How the West Can Win (1986), which we discussed during our two-hour interview on my 31 August 2011 radio show (and will be archived at http://radiofetzer.blogspot.com/). I agree with Joshua that this book appears to be offering a blueprint for the “Global War on Terror” already in 1986, which should quality as a central piece of evidence about the true origins of that war and a hint of whom it most benefits. (A version of this article with active links can be found here.)]
BBC’s “Conspiracy Files”
This was my second encounter with the BBC, whose director, Guy Smith, came to Madison and interviewed me for eight hours for its previous segment on 9/11, which also featured Dylan, Alex, and me. This segment has also been archived at http://www.youtube.com/watch?v=lMyKhVwj6GI&feature=related, where there can be little doubt that the BBC is attempting to trade in stereotypes and that Dylan is supposed to be the obnoxious kid, Alex a messianic preacher, and me the kooky professor. While some may even agree, especially about me, this is an obvious attempt to suggest the only possible reasons that anyone would dissent from the “official account” of 9/11 are emotional needs or cognitive impairments. The 9/11 movement is actually highly eclectic with members of varied backgrounds and qualifications. That we might actually be right and the official account wrong was tacitly denied.
During both interviews, I presented literally dozens and dozens of arguments about why the “official account” of 9/11 is not only indefensible but actually violates laws of physics, engineering and aerodynamics. The fires burned neither hot enough nor long enough to have caused the steel to weaken, much less melt. WTC-7 displays all the features of a classic “controlled demolition”. There is no evidence that a Boeing 757 crashed in Pennsylvania and clear and convincing proof that the Pentagon “hit” was a fabrication, which appears to include the flyover by a plane simulating Flight 77 at the same time as the detonation of explosions. Later in the day, the Hollywood-style production of billowing black smoke from fires deliberately set in a series of dumpsters was deployed in order to intimidate the members of Congress. (See “Seven Questions about 9/11”, Veterans Today.)
Michael Shermer at Lethbridge
For the first show, the BBC extracted about 7.5 minutes they wanted to use from my interview, which it combined with about 4 minutes of Alex and 3.5 minutes of Dylan. The rest of the program was used to misrepresent and undermine what we had told them, where logic and evidence were not their concern. By offering psychoanalyses of 9/11 skeptics, rather than engaging the evidence that refutes the official story of 9/11, the makers of the BBC’s 9/11 documentary harnessed the same tactics employed by journalist Jonathan Kay, author of Among the Truthers (2011), and by Michael Shermer, an ersatz-professor, who was exposed for having mischaracterized his credentials by Anthony Hall and Joshua Blakeney. Their focus was upon the psychology of beliefs that are, according to their point of view, not merely weird but even bizarre—which is certainly true, unless you take a serious look at the evidence. (See “Why doubt 9/11?” for 20 counter-examples.)
The Ground Floor “Hit”
The Pentagon is an especially nice example, where I explained in both interviews that the alleged “hit” point is on the ground floor and not the second as has often been alleged. Both programs, nevertheless, misrepresented its location by using photos of the second floor, which has to have been intentional, given that I had explained this point to Guy Smith and to Mike Rudin during their separate visits. They even use animations of this inaccurate location in their animations of its occurrence, which is inconsistent with the photos that are presented correctly in both “What didn’t happen at the Pentagon” and in “Seven Questions about 9/11”.
The second floor "hit point"
It makes an enormous difference to understanding what happened there, since, at the ground-floor location, we find a chain-link fence, two huge spools of cable, two somewhat damaged cars and unbroken windows beside and above the entry hole, which is only about 10’ high and 16-17’ wide—far too small for a 100-ton airliner that is 155’ long with a 125’ wingspan, and a tail that stands 44’ above the ground. There is no debris: no wings, no tail, no fuselage, no bodies, seats or luggage. Neither of the virtually indestructible engines was recovered. But the fact that this mass of debris is missing is obfuscated by the simple but effective technique of presenting the wrong photos. You have to admire the elegance of the plan.
The ground floor "hit point"
It has been said that the absence of evidence is not evidence of absence, which is true—except in those cases where it is false. If you were to inspect the living room of your home, for example, the absence of evidence of the presence of an elephant would properly qualify as evidence of the absence of an elephant from your living room. Similarly, the absence of evidence that a plane—in particular, a Boeing 757—crashed at the Pentagon is evidence that no Boeing 757 crashed there. So one of the most important indications of BBC duplicity is that, although I had explained to Guy Smith and to Mike Rudin that the actual “hit point” was on the ground floor, they continued to use images of the second floor in their work.
The clear, green lawn
The unblemished lawn
Think of the simplicity of the deception involved here. Have your target speak about the hit point (where he is talking about the ground floor “hit”) but present images of another location (as if that were what he was actually discussing). And it is a technique that can be used again and again. During both interviews, I also emphasized a photo that was taken even as the civilian lime-green fire trucks were extinguishing the very modest fires, which shows a completely clear, green, unblemished lawn, entirely free from debris of any kind. You can see that the upper portion of the building has not yet collapsed, which means it was not the effect of the alleged impact. This collapse appears to have been contrived to enhance the apparent damage to resemble more like what a hit might have caused.
Debris begins to appear
In this case, the BBC contracted the time line and claimed that the upper floors had collapsed “within minutes” of the hit, showing images of building AFTER the collapse. Since 25-30 minutes is “within minutes”, there was a flimsy pretext to justify using that phrase. But there is now considerable debris in the foreground and the lawn is no longer pristine. The effect, once again, was to use my voice explaining what is visible in the photo that I was discussing but juxtaposed with film from the subsequent collapse of the upper floors that I was not discussing, which was clearly intended to convey the impression that I did not know what I was talking about—a simple but effective technique, which they employed repeatedly.
Inadvertent confirmation
Ironically, some of the BBC's own footage substantiated my observations about the completely clear, green, unblemished lawn, entirely free from debris of any kind. But it would have taken a discerning viewer to overcome the emphasis imparted by the soothing, confident voice of the BBC's commentator, who conveyed the impression of objectivity and impartiality while nevertheless debunking what I had said in nuanced and subtle ways. That this footage actually appeared in this documentary came as a surprise to me, once I had sorted out their technique of implicitly contradicting what I had to say by the presentation of images other than those that I was addressing, since this one actually confirmed what I had explained.
Lt. Col. O'Brien and the C-130
More debris shows up later
The difference between the originally clear, green and unblemished lawn, which was free from debris, and the subsequent appearance of debris across a broad swath of the Pentagon lawn led me to speculate as to its origins. It would have been awkward and obvious to have enlisted men and officers carry debris out onto the lawn. It had to have been done in a more subtle fashion. A C-130 had been circling the building, which led me to consider the possibility that perhaps the debris had been dropped from the plane, where its settling down from above would be something that many observers might regard as an effect from the hit, where it would not be unexpected for at least some debris to have been airborne.
So the BBC featured Lt. Col. O’Brien, USAF, who was presented as the captain of the C-130, who feigned to be disgusted with the implication that he could have been involved in the cover-up by having debris dropped from his plane. Since it was circling as the allegedly hijacked plane approached the building, it appears to be a good question why the Pentagon was surprised by the hit. Surely the Lt. Colonel could have warned them, insofar as he reported that he had watched its approach. Apparently, the evidential value of his claiming to have seen the plane outweighed the implied admission that he had failed to warn his superiors, since all sides alleged that the Pentagon had no idea it was going to be hit—when the plane would most certainly have been shot down, had such a warning occurred.
The pilot of the C-130
If there is a better explanation of the source of the debris, what could it possibly be? Those who harbor lingering doubts about the role of the BBC as a purveyor of disinformation should study these photographs and compare them to “What didn’t happen at the Pentagon?” and “Seven Questions about 9/11”. Then watch the show, when it is accessible again—perhaps in a new version in response to the public’s reaction to the original, which I am discussing here. We all have to appreciate the role of the mass media in distorting 9/11, where the phrase “info wars” has been used by Alex Jones to convey exactly the right impression. And this is not the first time that the BBC has been "caught with its pants down”, since an earlier and possibly even more spectacular illustration occurred on 9/11 itself.
Jane Standley on WTC-7
Jane Standley with WTC-7
One of the most remarkable events of the day of 9/11 was the premature report by Jane Standley of the BBC that “the Solomon Brothers Building”—another name for WTC-7—had collapsed, which of course did happen that day, but she claimed it had happened at 4:57 PM/ET, when in fact that did not occur until 5:20 PM/ET, 23 minutes later! This has to be one of the most stunning illustrations of the dual role of the mass media in presenting news as it happens but with a spin dictated by the intelligence assets and the government agencies who control access to what the public is going to see and hear. Since WTC-7 can actually be seen over her left shoulder (to the right as a viewer watches her presentation), there can be no doubt that the BBC got “ahead of the script”, which may even be the single most glaring example of complicity between MI-5 and the BBC in the nation’s history.
A most unusual "collapse"
Another example of the spin that the BBC was offering in its “Conspiracy Files: '9/11: Ten Years On'” program, is that, toward its conclusion, Richard Clarke, the Bush/Cheney administration’s “anti-terrorism” expert, attempts to revive the long-discounted theory that these attacks occurred only because of incompetence by the agencies who were responsible for protecting the country from terrorist attacks like these, including communication and cooperation failures by the CIA and the FBI. But this theory cannot account for the physical impossibility of the Twin Towers to have been destroyed by the purported plane crashes, the resulting (very modest) fires, and the weakening of the steel, none of which—even had they happened as the official account proclaims—could have brought about the complete, total, and abrupt demolition sequence that would occur, which can be viewed relative to the North Tower in “New 9/11 Photos Released”, for example, on my blog.
Three "Dancers" on TV
9/11 was clearly cleverly planned, including a variety of false leads, some of which were discernible in the original broadcasts from the networks that day. As Preston James and I explain in “Peeling the 9/11 Onion: Layers of Plots within Plots”, the first suggestions presented by the media were intended to lay blame on Palestinians, of which we have three major indications: the image of cheering Palestinians broadcast as these events were unfolding; anchors reporting that “The Democratic Front for the Liberation of Palestine” was claiming credit; and the statements to the officers arresting the “Dancing Israelis” in their white van from Urban Moving Systems, a Mossad asset, whose driver said, “We are Israelis. We are not your problem. Your problems are our problems. The Palestinians are your problem.” That was hokum then and remains hokum now, where three of the five would return to Israel and explain on TV that they were there “to document” the destruction of the Twin Towers, which obviously implies prior knowledge that it was going to occur.
The “Global War on Terrorism”
The BBC’s propaganda for the 9/11 wars largely rests on the empirically flawed-assumption that there is a disproportionate threat posed to citizens of the U.S., Britain, Canada and elsewhere by Islamist terrorists. Yet, data posted on the FBI’s official website demonstrates that actual cases of Islamic terrorism are rare, making it a virtually negligible phenomenon. According to FBI statistics, between 1980 and 2005, for example, only 6% of reported terrorist acts in the U.S. were committed by Muslims, compared to 7% by Jewish extremists, 42% by Latino extremists, and 24% by extreme right-wing groups (sometimes misidentified as “left wing”, but including local and state-wide militias). The BBC has been highly instrumental in reinforcing the falsehood that Islamists were responsible for the events of 9/11, which in turn justifies their scrutinizing of Muslims at home and abroad. Bear in mind that, if there were no planes to hijack, there would have been no hijackers, and if there were no Islamic hijackers, then 9/11 could not have been used to justify the “War on Terror” and a “clash of civilizations” pitting the Judeo-Christian West against radical Islam.
Elias Davidsson has demonstrated that the American government has not been able to prove that any of the alleged hijackers were aboard any of these planes, where Flight 11 and Flight 77 were not even scheduled to fly that day. The BBC has done its part by persistently covering-up evidence demonstrating that those alleged hijackers engaged in egregiously un-Islamic activities in the months prior to 9/11, including snorting cocaine, attending strip clubs, eating pork and drinking Vodka. These activities imply that either they were not Muslim at all or, at least, if they were, they were not devote Muslims and therefore most unlikely to engage in fanatical acts on behalf of their religion. Suicidal hijackings are not the kind of actions we would expect from Muslims who take pleasure in strip shows, eating pork and snorting coke! As the phrase has it, “What’s wrong with this picture?”
Blueprint for the "War on Terror"
Wayne Madsen has released British intelligence documents purporting to prove that “the Israeli Mossad ran the Arab hijacker cells that were later blamed by the U.S. government’s 9/11 Commission for carrying out the aerial attacks on the World Trade Center and Pentagon”, which is very plausible, given what we know about the motives that appear to have contributed to its planning and execution, which involve oil, Israel, and ideology, which were interrelated. Reconfiguring the Middle East through the implementation of the Sharon Doctrine could then result in the construction of a pipeline through Israel to the Mediterranean Sea —which it could tap to solve its energy needs—and facilitate the despoliation of Iraqi oil. Taking out Saddam Hussein and converting Iraq into smaller states (or "statelets") based on ethnic and religious sectarianism, moreover, appears to be part and parcel of a master plan for the destabilization of the Middle East to create a new reign of Israeli supremacy and domination.
What does it mean?
Reluctance to report well-documented Israeli involvement in 9/11 may explain the metamorphosis of the once highly respected BBC into a propaganda organ of the Likudnik right and its allies. The network, officially an agency of the British state, lost many of its best reporters as a consequence of the BBC’s role in dealing with reports about and the subsequent death of Dr. David Kelley. Its erstwhile Director General (DG), Greg Dyke, appears to have been ousted and replaced in 2004 by the highly pro-Israel Mark Thompson, who, upon assuming office, made a trip to Israel with his Jewish wife to work out with Ariel Sharon the “softening” of the BBC’s editorial line about the State of Israel. A nice indication of the BBC’s pro-Israel bias, by the way, was its refusal to allow a “Gaza Appeal” phone-line number to be broadcast during the 2008-2009 massacre in Gaza. With 9/11 being used primarily to facilitate the epochal process identified by sociologist James Petras as “The Globalization of Zionist Power”, the BBC’s infiltration by likely Mossad affiliates makes perfect sense. Thompson is now the highest paid public servant in Britain—and he influences the BBC to support the “Global War on Terror”.
Explosions and dead bodies in WTC-7
In doing research about the BBC and its “Conspiracy Files” series, I discovered a web page devoted to “Conspiracy Theories”, in which five familiar arguments are presented and then “debunked”. To offer one instructive example, it dismisses concerns about WTC-7 arising from Larry Silverstein’s use of the phrase, “pull it”, and the alleged ground that he was actually requesting that firemen be “pulled” from the building. Not only were there no firemen in the building at the time, but “pull it” is a term of art in the construction business. Barry Jennings was actually in the building that morning and witnessed explosions taking place to prime it for demolition. It appears to me that any source that promotes falsehoods as blatant as these about 9/11 is unworthy of belief—which we now know includes the BBC!
The BBC’s own attempt to debunk “conspiracy theories” has had an unexpected and mildly encouraging effect. More than 700 comments were posted before the comments were closed, where I found many reflecting genuine understanding of the role of the BBC in promoting false information about 9/11. As we have found, in its biased documentaries about 9/11, its live reporting at the time, and even on a web page it has published to debunk those who are speaking the truth, the BBC has abandoned its commitment to objective and independent journalism and has become a shill for false theories and government ops. More is the pity, because it once stood as a beacon of truth that was widely admired around the world, which, as we have seen, can no longer be said on behalf of this once-great UK institution.
Jim Fetzer, McKnight Professor Emeritus at the University of Minnesota Duluth, is a former Marine Corps officer and the founder of Scholars for 9/11 Truth.
Joshua Blakeney is a Staff Writer at VT, a 9/11 activist, and a graduate student at the University of Lethbridge working on a thesis entitled, “The Origins of the Global War on Terror.”Source URL: https://0832zy.blogspot.com/2011/09/
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